Saturday, May 4, 2013

Pixar Founding Employees

As you probably know, Pixar was formed in early 1986 when Ed Catmull and Alvy Ray Smith spun the computer graphics group out of Lucasfilm (with the funding of Steve Jobs). When Pixar spun out of Lucasfilm, there were 40 employees, including Catmull and Smith. If you visit Smith's website, you can see some of Pixar's founding documents and a list of all 40 original employees. One thing I find fascinating is the large number of these employees that are still with Pixar today!


Neftali Alvarez Annie Arbogast Malcolm Blanchard* George Cagle
Loren Carpenter Ed Catmull* Susan Anderson Catmull Shannon Collins
Don Conway Rob Cook Lynn DeKeyser David DiFrancesco*
Janice Diane Bob Drebin Lisa Ellis Craig Good
Ralph Guggenheim* Charlie Gunn Doug Hagemeier Dennis Jennings
David Johansen Bill Kaiser John Lasseter Mark Leather
Sam Leffler Adam Levinthal Matt Martin Jeff Mock
Lane Molpus Tom Noggle Eben Ostby Tom Porter
Bill Reeves John Seamons Glenn Sharp Alvy Ray Smith*
Deirdre Warin Jim Wilson Sara Wright Bruce Young

In the list above, 15 of the 40 names are in bold text. These are the founding employees still with Pixar, 27 years after its formation!

But even before Pixar was an independent company, before folks like John Lasseter, Loren Carpenter, Bill Reeves and Craig Good joined up with Catmull and Smith at Lucasfilm, some of these folks were together at the New York Institute of Technology (NYIT) back in the late 1970s. The names with an asterisk were all at NYIT. As you can see, 3 people - Malcolm Blanchard, Ed Catmull and David DiFrancesco, have been working together for at least 34 years! In addition, Tom Duff was also at NYIT in the late '70s and is still with the company today (he left Lucasfilm in 1984 but came back to Pixar a few years after the spinoff).

Given today's environment of contracting work out and short-term engagements, the fact that so many Pixarians have stayed with the company is an amazing accomplishment, and a testament to the  culture that Catmull, Lasseter and the others have built. I think their commitment to each other and their common dream of creating computer animated films has a lot to do with the continued success of the company.


Thursday, April 25, 2013

College Track Pre-Release Screening Benefit of Monsters University (UPDATE)

UPDATE: After originally posting this article, I found 2 other Monsters University pre-screenings happening at Pixar.

The first is for the Bay Area Women's Sports Initiative (BAWSI), being held on June 1. BAWSI is a non-profit organization founded by Olympic and World Cup soccer players Brandi Chastain and Julie Foudy, plus former general manager of the San Jose CyberRays women's professional soccer team Marlene Bjornsrud, that brings together women athletes to help children in the bay area. This event includes a reception with food from Pixar's Café Luxo, a silent auction, self-guided tours of the studio and grounds, and the screening of Monsters University. Tickets are much more reasonable at $275 but there are less than 20 tickets left. Check out the announcement for more information!

The second benefit is for the JDRF on June 15. John and Nancy Lasseter have hosted a JDRF benefit for the past couple of years, and it has great significance for them as their son Sam has type 1 diabetes. It is a black-tie dinner party that includes dessert reception plus silent and live auctions. Tickets are only sold by the table with a minimum of 10 people to a table, although the event page states they may open it to individuals closer to the day of the event.

All of these are wonderful organizations, and it's great seeing Pixar supporting them.

Here is my original post:

Do you want to see Monsters University almost 2 weeks before its theatrical release? And get inside of Pixar Animation Studios? Well, this may be your chance! Pixar is hosting a pre-release screening benefit for College Track on Saturday, June 8. The event will include a cocktail party and dinner, behind-the-scenes tour of the studio and campus, and viewing of Monsters University in Pixar's amazing theater!

There are only a couple of these types of events every year at Pixar. I have written about the 2011 Cartoon Art Museum Benefit and the Up pre-screening benefit for Emery Ed in 2009. Tickets are expensive, starting at $1000 for individuals and go up to $50,000 for a group of 10, but it would be an unforgettable day!

For more information, check out the College Track website!



Thursday, April 18, 2013

This Day in Pixar History: Pixar 1996 Annual Report

Once again, I'm back looking at the financial earnings reports from Pixar when they were an independent public company. In my previous posts, I covered their quarterly earnings for the first, second and third quarters of 1996. In this post I'm going to cover their 1996 annual report.

1996 Annual Report cover



For their first year as a public company, Pixar did quite well. The studio ended the year with over $38.2 million in revenues, more than 200% higher than the $12.1 million made in 1995. Almost half of the revenue, $18.8 million, came from their first feature film, Toy Story, released November 22, 1995. $9.1 million came from patent licensing, primarily from Silicon Graphics. Another $6.3 million came from software, such as RenderMan licenses and their 2 Toy Story-based CD-ROM products, The Toy Story Animated Storybook and The Toy Story Activity Center. Finally, they made another $3.9 million from television commercials and other animation services.

Toy Story 2 art

Gross margins for the year were amazing - over 87%, higher than the 80% margins in 1995. As I mentioned in my post for the 3rd quarter of 1996, Pixar had very low cost of revenue. According to the Feature Film Agreement signed with Disney in 1991 (and the subsequent CD-ROM agreement), Disney reimbursed Pixar for almost all costs related to the development and production of Toy Story and the CD-ROM titles. In addition, there were no costs of revenues associated with their licensing revenue. Their total cost of revenue was only $4.7 million, of which $3 million was attributed to their television commercials and animation services. Pixar had announced in 1996 they would be getting out of the commercial business and moving those employees to their feature film development teams. As this segment had the lowest margins (23% vs 95% for the other business segments), it is not surprising that Pixar made the decision to exit it.

Research & Development expenses increased from $4.1 million in 1995 to $7.0 million in 1996, primarily in support of their software tools like RenderMan, Marionette (their animation system), and Ringmaster (a production management software system). General & Administrative expenses increased 87% from $3.0 million to $5.6 million. Pixar stated in the annual report that they expected G&A expenses to continue to increase, partly due to intense competition (and the corresponding higher salaries) for animators and other creative personnel. Pixar also experienced an increase in Sales & Marketing expenses in 1996 compared to 1995 (from $1.6 million to $1.8 million) due to the release of Toy Story and becoming a public company.

Net Income for the year was over $25.3 million, or $0.54/share, compared to only $1.6 million ($0.04/share) in 1995. This is a net profit margin of over 66%! Pixar's balance sheet was also very strong, courtesy of their IPO in late 1995 and the good results in 1996. Cash and short-term investments grew from $144.3 million in December, 1995 to $161.0 million in December, 1996, and liabilities were only $6.7 million with not a dollar of debt on the balance sheet!

Even with all this good news, Pixar raised concerns regarding their future financial situation. They stated they expected a substantial decline in their operating results in 1997. The primary cause of this was the expected drop-off in revenue from Toy Story. They only expected revenue from the Toy Story home video release, and the majority of that would occur in the first half of the year. And according to their agreement with Disney, they received a lessor amount of home video revenue than theatrical revenue.

In addition, Pixar had decided in early 1997 to discontinue its CD-ROM production business. The business had been successful, but Pixar wanted to reassign most of the 60 employees in that department to other groups such as feature film production. This meant Pixar would experience a "material adverse impact" (accounting lingo for "we're going to make less money than we expected") on its operating results in both 1997 and 1998.

Pixar also warned of a decline in RenderMan revenue, as the company focused more on their film business, plus they expected increases in operating expenses from continued growth in their operations and research and development efforts.

Finally, they had no new films due for almost 1 1/2 years. A Bug's Life was to be released in late 1998, and Pixar didn't expect to recognize any revenue until later half of 1999. Also, at this point, Toy Story 2 was still scheduled to be a direct-to-video release, also in late 1998, which meant no revenue from that would be received until 1999. I did find it interesting though that they mention the possibility of releasing Toy Story 2 to theaters rather than direct-to-video. I had always thought that decision had been made late in its production.

It should not be much of a surprise then, given all the cautionary talk on decreasing revenues and increasing expenses, that Pixar stock was stuck in the low to mid teens. I made my first purchase of Pixar stock in April, 1997 for $15/share. Obviously, I was in it for the long term!

I am probably one of those rare (some may say weird) people who enjoy reading annual reports, especially the ones from Pixar! They always started out with an entertaining and informative letter from Chairman and CEO Steve Jobs. His letter in this report was 15 pages long, and include some beautiful drawings, pre-production artwork and storyboards from Toy Story 2, Geri's Game and The Adventures of André and Wally B. In addition to discussing the previous year's results, Jobs provided a good summary of the what's and why's on the newly signed co-production agreement with Disney (I will discuss this agreement in detail in a future post). He also discussed Pixar's 3 core capabilities that would enable them to become a world-class animation studio: Creative, Technical and Production. The annual report also discussed their purchase of land in Emeryville to build a new studio facility. Pixar had put down a $300,000 non-refundable deposit for the land, and while they had not made the final decision to move ahead with building the new studio, the report stated that was their intention.

The next post in this series will cover results from the first quarter of 1997.

Back cover

Friday, April 5, 2013

Monsters University Blogger Press Event

A lucky group of about 2 dozen bloggers will be converging on Emeryville next week for the Monsters University Bloggers Press Event! 



The event begins Monday the 8th with a reception at the Pixar studio, where the bloggers will get to view footage of Monsters University and see the short film The Blue Umbrella. Things really take off on the 9th with a day full of classes, including:
  • English 101: How to Tell a Great Story (led by Kelsey Mann, Story Supervisor)
  • Anthropology 152: Monsterizing the World (Dice Tsutsumi, Shading/Lighting Art Director;  Robert Kondo, Sets Art Director)
  • Sociology 203: The Deconstruction of a Character (Ricky Nierva, Production Designer; Jason Deamer, Character Art Director; Daniela Strijleva, Character Designer)
  • Dramatic Arts: Bringing a Character to Life (Scott Clark, Supervising Animator)
  • Physics 250: Global Illumination (Jean-Claude Kalache, Director of Photography-Lighting; Sanjay Bakshi, Supervising Technical Director; Christine Waggoner, Simulation Supervisor)
  • Roundtable interviews with Monsters University director Dan Scanlon, producer Kori Rae, and director of The Blue Umbrella, Saschka Unseld.
It looks like there will also be fun events like a tailgate lunch and college type activities.

Finally, on Wednesday, the group will spend the day touring the Walt Disney Family Museum. It sounds like an awesome experience!

Here is the list of bloggers I know of that will be attending the event. I'm missing a few, and if you notice only 1 Pixar blogger (@ThePixarTimes) has stated they are attending. I'm guessing there will be a few more announced over the next couple of days, and I will update this list once that happens.

An alternate method would be to look for tweets with the #MonstersUEvent hashtag.

As a side note, almost exactly 1 year ago I published my first blog post. The topic? The Brave Blogger Press Event! Wow, time has sped by! In that first year, I published about 60 posts (not including a couple dozen more that I started but haven't finished!!) and have met some amazing people! For those of you who read these posts, or follow and chat with me on Twitter, I am very grateful! I realize posts have been few and far between the last few months. But I think things will be getting back to order and you'll be seeing posts from me on a more regular (i.e. frequent) basis.

Monsters University opens in the U.S. on June 21! Who else will be attending opening day?

Wednesday, February 27, 2013

This Day in Pixar History: Toy Story 3 at the Oscars

First, let me say I have been so bad and ignoring my blog now for weeks! I don't know where the time has gone, there's just been so many distractions lately. I hope to get back to some consistency in posting, although it might be a few more weeks before that happens. 
Courtesy Disney/Pixar

I have thoroughly been enjoying the afterglow of Pixar winning the Best Animated Feature Film Oscar for Brave this week! There have been a lot of great photos and tweets since Sunday; for a good recap I'd check out The Pixar Post's blog which has some of these photos, video of Mark Andrews and Brenda Chapman after winning the award and a video of Mark Andrews and Katherine Sarafian bringing the award to the studio! I am especially happy for Brenda Chapman - 2012 was a great year for animation, and all of the films up for the Oscar were worthy of the award. That Brave came out on top shows that the story, a personal and heartfelt one, resonated with the voters, and I'm so glad it's getting the recognition it deserves. Brenda and the entire crew of the film spent the better part of the last 8 years putting all of their effort into making this film, and they should be proud of the awesome job they did.

The Academy Awards are handed out this time of every year, and exactly 2 years ago today (probably close to the time that I am writing this article), it was Lee Unkrich's turn, winning the Oscar for Toy Story 3. Lee had some great tweets and photos of the event, I especially liked the "strange guy in my bed" picture! You can check out all the awards Toy Story 3 was awarded on its wiki page, as you can for Brave.

Monday, January 28, 2013

Lee Unkrich and The Shining

I'm sure almost all of you are familiar with Lee Unkrich, co-director of Toy Story 2, Monsters, Inc. and Finding Nemo, and director of Toy Story 3. What some of you may not know is that Lee is also a huge fan of the 1980 film The Shining by Stanley Kubrick. In fact, this was the film that first got Lee interested in film-making. Lee is the "caretaker" of The Overlook Hotel, a website dedicated to The Shining.

Lee's mom, Emilie Unkrich, recently posted a couple of great interviews with Lee regarding The Shining and his website. The first is an interview by Empire regarding his love for the film. It also mentions some great The Shining Easter Eggs that can be found in Pixar films!

The second is an audio interview by CBC Radio's As It Happens. This interview discusses a removed scene at the end of The Shining.

If you're a fan of The Shining, I strongly recommend checking out The Overlook Hotel website! After these interviews, maybe it's time I introduce my kids to The Shining!


Monday, December 31, 2012

Top Pixar-Related Web Events for 2012

I thought for the end of the year it would be fun to list some of my favorite Pixar-related web events that occurred during 2012. There is so much great Pixar content out there and it can come from many places. I came up with the following list for a couple reasons; first, to give you an idea of the blog posts, interviews and web sites that really caught my eye and inspired me. And secondly, to hopefully introduce you to some alternate and different places that you can find not only Pixar, but animation, film and other related content.
  • Let's start with The PixarPost's #followrex hashtag and related posts. T.J. and Julie loved the new Pixar short Partysaurus Rex so much, they created their own Partysaurus Rex character, took him around town and tweeted about all of Rex's adventures! I had a blast seeing all the pictures of Rex and his crazy antics! They also of course brought Rex along for the Partysaurus Rex premier on September 14 with Finding Nemo 3D. Since then, Partysaurus Rex has done a lot more traveling, such as going to the World Series, partying with BT and even being sent to the Pixar Studios! T.J. and Julie were also able to interview Mark Walsh, director of Partysaurus Rex!

  • Along the Partysaurus Rex lines, William over at the A113Animation blog did an extensive interview with Partysaurus Rex director Mark Walsh. This is a great, in-depth interview covering the inspirations for the short and working with the Pixar Canada folks who did the awesome animation on the film. Make sure to follow William and A113Animation on Twitter!

  • I love the Disney parks, and love photography. So it's no surprise I love listening to the Disney Photography Podcast! In episode 25, they covered the re-opening of Disney's California Adventure this past summer which included the new Cars Land. Besides the photography tips and fun humor, Cory, Ryan and Tom's passion for the Disney Parks really comes through in their episodes. Even if you're not a photographer, listening to the podcast will point out many details that you might otherwise miss when visiting the parks.

  • Many of my favorite Pixar events had to do with the release of Brave. For instance, in episode 21 of the Animation Fascination blog, Marc and Matt interviewed Pixar animators Austin Madison and Chris Chua. Not only did they have some great Brave discussions, the podcast included their usual coverage of animation news, the latest trailers and home video releases. Get a list of all their podcast episodes and subscribe to it on iTunes!

  • On The Incomparable podcast, Jason Snell and his guests cover all sorts of media-related topics, usually tending towards the geekier side! Jason has discussed Pixar in a couple of episodes (take a look at episodes 49 and 50), and in episode 102, he and his guests give their views and thoughts on Brave.

  • If you consider yourself a Pixar fan and somehow are not familiar with or don't listen to The Pixar Podcast, well, you should stop reading right now and head over to the website and subscribe! Derrick, Greg and Johnny cover all the latest Pixar news and have done some awesome interviews, including ones with the owners of the Up house, composer and Pixarian Alex Mandel, and Michael Giacchino. Derrick was also invited to spend a couple of days at Pixar for the Brave Bloggers day and published the recordings from a number of the great sessions he sat in on. Here is the list of the episodes from that trip:
    • Episode 73 - Interview with Director Mark Andrews - "story is hard!"
    • Episode 74 - A walking tour of the studio's 2nd floor, which also provides a good overview of the steps taken to make a Pixar film.
    • Episode 76 - Simulation Supervisor Claudia Chung discusses simulating cloth and hair.
    • Episode 77 - Shading Art Director Tia Kratter and Production Designer Steve Pilcher talk about color scripts and lighting the film, what they learned from traveling to Scotland and what the details in a character's clothing can tell us about that character.
    • Episode 78 - Interview with Producer Karen Sarafian.
    • Episode 81 - Interview with Story Artist Louis Gonzales, who discusses the steps early in film development.
    • Episode 82 - Interview with Enrico Casarosa, director of the short film La Luna.

  • The Rotoscopers have only been doing their podcast since early 2012, but they've already done a number of great episodes and interviews! I particularly enjoyed their interview with Pixar technical director Chris Horne. I loved the nerdy discussion on lighting and rendering, especially how each character has its "posse of lights", and how one of the last scenes for Brave they needed was going to take a month to render but the film was due in only 2 weeks! Their podcasts, which also include reviews of animated films, are great fun and I really enjoy the interaction and humor between Morgan, Chelsea and Mason.
  • As a techie, I love getting into the technical details of film making, especially animation. That's why I loved the Chris Horne interview (above), and why I also really like fxguide. The fxguide is composed of a number of podcasts including the rc, the vfx show, fxpodcast and fxguidetv. Their podcasts and articles cover areas like digital cinema, visual effects and trade shows like SIGGRAPH. Much of their content goes way over my head but it's still fun hearing all the technical details about the films I've enjoyed so much. fxguide did a couple of great podcasts related to Pixar this year. In the June 22 episode, fxpodcast interviewed Claudia Chung on Brave simulations. Some of the information in this podcast was covered in The Pixar Podcast's episode 76 I mentioned above, but this one goes into more technical details. But as a big fan of Pixar history, if I could only pick one episode, I'd have to pick their podcast on July 6 with Dr. Alvy Ray Smith. If you're not familiar with Smith, you should be! He was at NYIT with Ed Catmull and moved with Catmull and others to Lucasfilm to create their computer division. With Catmull, he founded Pixar. This interview delves into the "early" days of Pixar and computer graphics, and covers many of the early computer graphic pioneers and inventions, a number of them created by Smith and which are still used in film making.

  • Pixar's next film will be Monsters University, to be released June 21, 2013. The marketing for the film has already begun with some great concept art and a fun teaser trailer. Disney/Pixar has also created a Monsters University website to help market the film. The site is a mock university website with everything a real university would have - information on admissions, academics, student life, classes and an actual university store where you can buy Monsters University apparel and other merchandise (I have yet to buy the 4-armed sweatshirt, maybe I'll get it for my birthday!). The site is also set up with a M.U. Net page where students, faculty and staff can log in. I'm hoping that as we get closer to the film's release Disney/Pixar expands the site and allows fans to obtain a M.U. Net user ID. Keep your eye on this site!
So that's my list! What about you? There's so many great Pixar bloggers out there, which ones caught your attention? Please leave your favorites in the comment section below, and have a great New Year!!